![]() You can use the typeface for Logos, Headings, Documentation, Advertisement, Titles, Body texts, Banners etc. This serif font has huge popularity and has been used in many places since it came into being. After the license, you will be able to sell the fonts. However, to use the font in commercial work, you need to go after its paid version that is available at a limited cost. ![]() You can download the font from the given link. Is Bembo Font Free to Use for Commercial Purpose? It was released many years ago, and since then it has enjoyed immense popularity worldwide. It is a serif font that earned huge fame after being used in the body text. Download the font from the link given in this guide and start using it immediately.ĭownload FAQs (Frequently Asked Questions) You can get along with its free version free of cost for personal and non-profit use. Similar Fonts to Bembo Font (Related Fonts)īembo font also comprises free and paid version like every other font. Once you have the licensing authority, you are free to use the font everywhere you want. In order to use the font on an extended level, go ahead with its paid version that is in everyone’s range. It is a multi-purpose font that fulfils your need in every way. You can use the font in Youtube content, Documentations, Titles, Logos, Posters, Advertisements, Brands, products, designs, websites and many other places. However, the font is a perfect choice for body texts from where it took immense popularity. Furthermore, an Art Museum, the National Gallery, based in London, has also got their hands on this font in the past. A notable London Airport, Heathrow and other Airports used this font for many years. It is considered one of the highly used fonts that comes on the 265th number. One of the thick versions of this font named EB Garamond contains many similarities with Bembo font. You can also use Bembo font Generator if you want to create different free font Logos and posters online. It comprises many distinguished characters among which capital Q stands tall. 40980).The font is considered one of the attractive fonts that is enjoying the acclaim since it emerges. Martin’s church in Bologna”.Ī portrait of Pietro Bembo with a composition not unlike this painting, which may have been inspired by the same medal but which is clearly by another artist, who may in fact be retraced to the Venetian school, is recorded as part of a Roman Roman private collection (photo archive of the Zeri Foundation, no. Catherine of Alexandria of the ‘Sacra Conversazione’ on the chief altar of St. ![]() Mary Major in Rome”, the “Saint Agnes of the ‘Sacra Conversazione’ of Calcinate di Bergamo” and the “St. Catherine of Alexandria about to be beheaded in the Cesi altarpiece of St. John’ which was formerly part of the Volpi di Misurata collection in Rome, and which is included in the Zeri photo archive Zeri (no. Among them we may mention the Madonna in the ‘Holy Family with the infant St. The comparison of the female head, with its “face with long and thin noes, small mouth and prominent and round chin” with those featured by various paintings by Sermoneta is equally significant. The former, “angular and skinny”, although it is copied from a medal and thus stylistically less valuable as evidence, may according to Nesi remind of one of the prophets standing to the left of Christ in the Transfiguration hanging in the Church of St. The author of the two works on wood, which in addition to the portrait of Bembo feature the bust of a saint, or possibly also of the Madonna as an old woman, has been identified by Nesi as Girolamo Siciolante, “one of the most valid and well-known representatives of Roman Michelangelesque classicism in the period of the Counter-Reformation”.Īs corroboration of his proposal the scholar refers to a number of comparisons, both for the male subject and for the female one. These two paintings – which as the scholar observes were probably not realized as pendants but as a part of a series – were thus painted after that date, during the second half of the century. The scholar has pointed out that the portrait of the famous personality is evidently inspired by the one found on a celebratory medal, namely the specimen whose execution is usually attributed to Daniele Cattaneo, realized around 1547, the year in which the man of letters died. A fundamental identification for purpose of dating these paintings has been made by Alessandro Nesi, namely that the cardinal portrayed in profile in one of the works is the Venetian Pietro Bembo (1470-1547), one of the most prominent intellectuals of the Sixteenth century.
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